Wednesday, January 11, 2017

MEMOIRE DU CHRIST PAR LE RATTACHEMENT DE CHACUNE DES HEURES A UN MYSTERE PARTICULIER DU CHRIST Daniel de Reynal


Theologie de la Liturgie des Heures


LAUDES


The office of Lauds consecrates the first hours of the day to God the Creator. The principal motive, the most constant theme of this action of grace, is the return of the light which evokes the Resurrection of Christ and his presence in the Church (141). We propose to illustrate the theology of Lauds  from examples from  Sunday, Easter week, as well as the days of the week, especially  the hymns, for the hymn, the poetic element "almost always manifests better than the other parts of the office the character of the hours or each feast "(IGLH 173).

The dawning of the day first of all is a reminder of the goodness and harmony of creation which the ancient Christian poetry does not hesitate to admire, in particular, the triumphant appearance of the sun after the struggle against the night (142).  If the light of the sun, the star of the day, is itself a creature: Christ the Lord himself greets and invokes the Creator of light.  He  is the true light without shadow or decline that illuminates every man in this world (Jn. 8, 12) (143).

The dawn irresistibly evokes Easter morning, the first day of the new world resulting from redemption. The sun is the symbol of Christ rising from the tomb. The dazzling sunlight is only one

141. Iron. III, T.O. II, ad laud. Hymn, Aeterne lucis conditor, str. 3; Sabb, T.O, II ad laud, hymn. Diei luce reddita, str. Id. Orat. Concluded.
142. Dom. T, O, II ad laud, hymn. Ecce iam noctis tenuatur umbra str. L Iron. III TO, I ad laud. Hymn, Pergrata mundo Nuntiat, str. L
.143. Iron. III. TO, II ad laud, hymn. Aeterne lucis conditor, str. 1; Cf. Dom. T, O, I ad laud, preces, introd.


symbol of the light of spirits and hearts: Jesus Christ, the giver of the created light and of grace. (144). The Church in her  dazzling majesty contemplates the eternal Word whom  God the Father has placed on his right hand from his glorious resurrection: "Splendor of the glory of the Father. Light from light,  Light of light and source Of daylight, illuminating the day "(145).

The fact of the resurrection of Christ is not clearly recalled in the hymns, but it is constantly present under the images, especially in the theme of the victory of the day over the night which symbolizes the triumph of  Christ over death, sin and Satan.(146).  What the hymns and  concluding  prayers suggest is the explication of  the effects of the Paschal mystery in the Christian life. Here are some examples:

The light of the Risen One penetrates the hearts and increases the faith, this inner fire lights up by the gracious gift of God what  is threatened by the wind of temptations (147).

Or again: in the darkness of the present world, the resurrection of Christ illuminates believers and leads them to the eternal light of the Lord of glory. It is, indeed, in the dynamism of the resurrection that everyone will find the strength to avoid sin and to practice justice (149). …

The mystery of the Resurrection of Christ suggested by the different elements of the Liturgy of the Hours should certainly be highlighted in the translations and adaptations of the Office of Lauds  in the national languages ​​which do not have the power of suggestion that ecclesiastical Latin has. In this way, the Pascal theme, fundamental in the inspiration of the prayer of the morning  since Christian antiquity would be made more manifest: the remembrance of the resurrection of the Lord who sanctifies the hour of Lauds, as St. Cyprian already teaches (151).

Finally, the new day which begins each morning  and the very Easter of the Lord, is a figure of the  coming day, the eschatological day.  From created reality, evidence of the goodness and fidelity of the Creator, at Lauds  thought rises to the God who wants to fill us with infinitely more precious things: participation in his  own life of which we have already the promise  in the resurrection of the First-born from  the dead. In one of  the other hymns of the Liturgy of the Hours this tension of the Church towards the ultimate realization, towards the Day of Christ is manifest. One hopes that the eternal morning  will burst into time and that the last dawn of the earth will flood us with  the light of the celestial day, the  Christ. By hope, and in the celebration of the mystery of Christ at Lauds, each day, we already anticipate the glorious return of Christ (152).  Since the Ascension, Christ has recovered the plenitude of the glory which he possessed with the Father before the creation of the world (Jn 17: 5,), the only Son who became the son of the Virgin Mary. He promised us to share His glory (153).

151. S. Cyprien, De Oratione Domini, C. 34, P.L. 4, co!. 541. Cf. A. ARENS, «Vom kult-theologischen Gehalt der
Haupthoen des kirchlichen Stundengeberes», 77hZ 70 (1961) p. 206-207.
152. Fer. IV T.O. 'I ad laud. hymn. Nox et tenebrae et nubila, str. 4; Sabb. T.O. 1 ad laud. hymn. Aurora, iam spargit
polum, str. 3.
153. Fer. VI T.O. I ad laud. hymn. Aeterna caeli gloria ; str. I. Dom. T.O. II a laud. preces, into 1a

No comments:

Post a Comment